Some singing information

Coaching
After a wonderful, 40 year career of singing all possible disciplines including opera, lied and oratorio as well as the great adventure of contemporary music, having found my own voice and  discovered all the possibilities it presents, I feel the need to coach classical singers more and more.
Technique
I work in a manner I have developed myself, ultimately extremely rewarding: clearly traditional in the use of the vocal cords, position of the vocal box, treatment of vowels, respiration, vibration and resonance, legato, phrasing and flexibility of the voice, an open throat, passaggio, tongue position, support and breath control.
Multifaceted artist
Mezzo-soprano Marion van den Akker is a multifaceted artist. She gave master classes on the songs of Schumann, Liszt, Strauss Brahms and lectures on the oeuvre of the Canadian composer Claude Vivier and the Russian composer Sofia Gubaidulina.
Marion van den Akker founded the series ‘Royaal Vocaal’ in 2005 in the Nieuwe Kerk (The Hague).
She is a singing teacher and performer.
Marion van den Akker was programmer of the Chamber music series ‘Klassiekintveen’ at the concert farm  d’Rentmeester  untill 2021
Marion van den Akker was head of the vocal department and vocal teacher at the Prins Claus conservatorium until September 2015. Recently Marion van den Akker has a private vocal school together with her accompanists Dr. Willem Kersing, Ben Martin Weijand en Jeroen Sarphati and Gilbert den Broeder.

WHAT SINGERS SAY 2024 

Maja Roodveldt  (soprano) 

Door de zanglessen van Marion heb ik de weg in mijn stem weer teruggevonden. in de loop der jaren was ik, o.a. door de overgang, mijn vertrouwde manier van zingen wat kwijtgeraakt. Marion heeft me, door haar enorme kennis van de stem, haar heldere en liefdevolle manier van lesgeven en haar humor de weg gewezen. Ik zing nu weer met plezier en zelfvertrouwen. https://www.omroepmuziek.nl/musici/maja-roodveldt/

Helena van Heel (alt-mezzo)

Marion is the ultimate professional!
She has an enormous repertoire knowledge, stage experience and pedagogical qualities. She transfers her knowledge in an efficient way and guides the development with a steady hand.
Like no other, she seems to have the keys to optimal use of the voice!
I work with Marion with great pleasure and in complete confidence.
Freedom in the voice gives freedom in making music! www.helenavanheel.com

Myra Kroese  (alt-mezzo)

“Marion werd mij warm aanbevolen door meerdere collega’s uit het koor van de Nationale Opera 
Hele basale dingen werden mij ineens duidelijker, zoals dat de stembanden direct ‘willen worden aangesproken’ en op die manier het gezondst functioneren met fijne oefeningen.
Marion geeft aanwijzingen waar ik direct iets mee kan: helder, goed toepasbaar, eerlijk.
Ik zing al meer dan 40 jaar, nu voornamelijk in koorverband en minder vaak als solist en voel dat ik veel baat heb bij de coaching van Marion. https://www.koxvocaal.nl/vocalist/myra-kroese/

Isabella Scholte  {sopraan}

Ik hoorde Marion op een concert in 2023. Ik vond haar zo mooi, helder beheerst en invoelend zingen, bij tijd en wijle zelfs magisch en wilde graag les van haar. Ik moest herstellen van Corona, dat vervelend op mijn stem zat. Ik ben zangeres van beroep en zing veel. Zij kon me direct verder helpen. Marion geeft je vertrouwen. Haar methodiek is helder en duidelijk, wel totaal anders dan ik kende (ik was gewend ‘boven over’ te zingen) maar na de eerste les was ik volledig om en kon het meteen gebruiken in de praktijk. Bij optredens geniet ik van de voordelen van haar methodiek, en heb veel minder last van een vermoeide stem. https://www.isabellascholte.com/music

Lisinka de vries (alt)

As a professional choir singer it is a challenge to keep the voice in shape. As a coach Marion helps me to find my own voice again and again. She does this with a great deal of knowledge of the technique, all her experience and her warm supportive personality. https://www.grootomroepkoor.nl/en/musici/lisinka-de-vries-schuring/

Anastasia Terranova (soprano)

Photo: Petra Nuria

Marion è un’insegnante attenta e sensibile. Dotata di buon orecchio e grande intuizione, già delle prime lezioni è riuscita a identificare i punti su cui concentrarsi, e mi ha guidata verso un canto più organico, stabile e ricco di agio. A rendere le lezioni ancora più piacevoli sono la sua estrema cortesia e il suo entusiasmo. Lavorare con Marion è davvero un piacere! https://www.facebook.com/Anjuccia/

Irmgard von Asmuth ( alt mezzo)

Marion is zeer betrokken en gedreven en werkt met engelengeduld. Met haar rijke vocale en muzikale achtergrond ziet ze het als een uitdaging om elk vocaal probleem te tackelen. Waar zit die subtielst mogelijke aanzet van de toon die zonder druk tot stand kan komen om daarna enorme vrijheid te bieden. Na al die jaren heb ik het gevoel dat ik begin te begrijpen hoe mijn instrument werkt. Haar lessen zijn behalve fijn óók leuk! 

WHAT SINGERS SAY 2022

Ingeborg Bröcheler (alt mezzo)

To me, working with Marion is a tremendous joy. She’s detailed in her technique and constant in her approach, which makes it easy to continue building on the progress already made. She always aims for a free and healthy voice, that -on top of that- is truly inspired by the music and by ones soul. She taught me how to control my instrument in such a manner, that the sound of my voice can now reflect the sound of the music I hear in my head – and that is (blissful) freedom. https://www.ingeborgbrocheler.com/

Palle Fuhr Jøgenson(bas bariton)

Na een zeer moeilijke periode tijdens corona en de demotivatie van alle geannuleerde concerten heeft Marion mijn stem weer goed op de rails gebracht en me weer weten te motiveren om te studeren en mijn techniek op te schroeven na 39 jaar carrière in het Groot Omroep Koor. Ik ben haar daar zeer dankbaar voor en we hebben veel gelachen en leuke lessen gehad samen, dankjewel Marion. https://www.praas-piano.nl/content.php?p=informatie

Tiemo Wang (bas bariton)

For a couple of years now I have been working with Marion van den Akker. She really helped me a lot: making my voice a lot stronger, with a more consistent sound.. I have therefore been able to expand my repertoire considerably, with pieces such as Mahler’s ‘Lieder eines fahrenden Gesellen’ and Moussorgski’s ‘Songs and Dances of Death’.
Marion van den Akker is a highly experienced vocal teacher. She has got very good ears and great technical knowledge of voices and classical singing. Also, her sharp observational and analytical skills lead her to relentlessly look for solutions, improving on seemingly minor details that make a world of difference in the end. her style of working speaks to me a lot; it resembles my own way of working, both as a singer and violinist. 
https://10vocaal.nl/solist/tiemo-wang/

Sven Weyens  (bas bariton)

Maybe the most important I would like to say about Marion as a coach for singers is; all the things she taught me, whether they are musical or technical advices, they practically make singing work on stage, even under high pressure. It is seldom that I feel nervous about repertoire I worked with Marion van den Akker.

Gert-Jan  Alders ( basso profundo)

As a colleague of Marion, I had some vocal coaching from her, which I experience in a way that is just as enthusiastic as it is thorough. Clearly and directly to the cause of imperfections, with immediate effect. If something is technically good, there is also room for appreciation for each other’s musical views. I have a very good feeling about this.

Uros Petrac  (tenor)

Marion is one of the first vocal coaches I have experienced who immerses herself in your voice, ensures continuity in my voice development and works without any pressure.
She makes my voice sound in a natural way and is always looking for a natural flow of breath. She likes to ask for my opinion and feeling during the coaching, which gives me the impression of total cooperation. Since working with Marion I have built up a lot of confidence and experience a constant growth as a singer. I have great appreciation for Marion, she is sweet, attentive and I hope for a long-term cooperation.

Marcel Schouten (tenor)

Marion has a meticulous ear for technique and technical issues. Her broad experience both as a singer and in teaching enables her to focus on the right aspect to work on at the right time. Doing so she is not bound to a certain theory and there is no signature sound in her pupils; she improves a specific singer as he or she is to reach his or her potential. Marion is supportive and critical at the same time. Being an alt-mezzo herself she does not shrug away from passaggio issues which can of course be very useful for us tenors. She has enabled me to perform Tamino in my late twenties, now my forties have begun, we work on other repertoire. I hope we can continue working and improving from now on.

Roelien van Wageningen  (alt-mezzo)

Working with Marion is a great search for what suits you. It is a coach that really focuses on your voice. It’s about the profession and the enormous pleasure in singing. In addition, you also have fun in class and she is very committed to you. It’s really nice to have Marion as a coach.

Esther Maas  (alt-mezzo)

I have been taking lessons with Marion for some time now. After a very long absence from classical music, I thought it was time to get the technique right. Not easy after singing different music all this time. But Marion got me back on track in no time.
Her strength is not only her immense experience and musicianship but also her endless patience and never stopping until you get it.
A source of inspiration and knowledge!

Marina Besselink (soprano)

Marion always teaches me to build on the development of my voice with focus, love and patience. She has a keen ear and eye for what needs to be worked on. Besides that she works with me on the vocal technical aspect of my voice with precision, knowledge and skill in a thorough structure. Attention is always paid to the musical and personal part of making music. Her professionalism, musicianship, discipline and rich experience as a singer and educator is a great inspiration to me.
When I come out of a coaching session with Marion, I always feel that more is possible. http://marinabesselink.nl

Laura Bohn (soprano)

I remember the first question she asked me was “Do you love your voice?” and this was really remarkable to me – no teacher had ever asked me such a question, and honestly, self love and gentle care of my voice was not what I had been taught by classical teachers in the past. Not only is Marion tuned into this self-respect for the voice and the individual in singing, she is also a fierce technician with a finely tuned ear and dedication to precision and excellence.  I feel more connected to my speaking voice than ever in my classical repertoire after working with her for this past year. laurabohn.com

Esther Kuiper (mezzo-soprano)

These days, when focus and patience seem to be scarce, also in the field of vocal studies, Marion takes a difference by digging deep, helping me to find my path to freedom of vocal and artistic expression.
She teaches me how to do the necessary vocal and artistic work and be patient, trusting that real quality will always stand out! She knows exactly how to help build a voice and give you the information and tools how to train your instrument in such a defined and detailed way, that I never experienced with any other teacher before. She never looses the big picture and adapts her teaching to the particular person she is working with. I feel truly blessed to have met Marion and to be able to work with her. estherkuiper.nl

‘Singing is my destiny…’

‘Singing is my destiny, my lot; it is my great passion, an obsession, you might say. If I haven’t sung for a week, my personality loses it’s sparkle. To sing is a necessity, it is my life. I was born with it. It is a self-centered profession.
Though I have followed various courses and master classes, ‘the essential thing’ was to find my own sense of truth. Finding what is characteristically me!  Being able to find and imagine the sound you wish to hear. The influences of others I integrate into my own truth. Besides my concerts with orchestras and my operatic roles, I am devoted to chamber music. When singing “lieder”, accompanied either by piano or and ensemble, I feel most true to myself and the composer. Here the beauty of the music is often determined by the art of “leaving out” or omission. I often feel this very strongly when I am singing Mahler: when I achieve the precise emotion, then I need add nothing beyond this – it is a ‘given’, it just happens.

Childhood Dreams

I always wanted to be on stage, loved to be occupied with things musical. According to my mother, even at the age of two I was singing along with the radio. I became a member of musical society but to my regret, I was only given boys’ roles. Perhaps that was because I had a rather low voice or because I was so independant. A tree-climber, that’s me, though I dreamt of playing the role of the princess”.

For further information, see: About/Biography
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